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WIZ KHALIFA - ROLLIN' PAPERS REVIEW

Alright before I get down to it I'd like to apologise for my lack of activity over the past month! I know its been a whole month since y'll last heard from me (I know you missed me) but like I've explained to the few people I know personally I been busy lately! Still let me knock the proverbial dust of my pen and get down to my latest review... Wiz Khalifa's Rolling Papers album. For those who don't know otherwise this isn't Khalifa's debut album just his commercial arrival had to be stamped with something other than a mixtape called "Kush and Orange Juice" Just a little background infomation on the Pittsburgh native Cameron Thomaz (yes with a Z at the end, only God knows why). He has been around for a lot longer than people realise, in 2006 he independently released Show and Prove, a tentative effort which garnered little success in the charts but however amassed a small following for the 18 year old. This was followed up by a Rolling Stones "

ALAHNA: WELCOME TO LAH LAH LAND REVIEW

It is very rare that my musical ear is so quickly intrigued by a UK RnB artist, however for the first time in a long time I have been drawn to speak on someone who I feel deserves more than a mention. The artist in question is Alahna. unfortunately I was unaware of this Singer/Songwriter before my indifferent evening at the Sunday Show styled Young London Event on the weekend. Alahna performed two songs at this event, and did relatively well considering the poor acoustics at Clerkenwell House. I will not get into the fact the live band drowned out most of the artist's vocals, but Alahna despite this still showcased her ability to engage a section of the audience. After her stint on stage the customary handing out of material followed. I can't lie I usually decline any gestures of nature as post rave DJ line outs and hungry artists outside Footlocker on Oxford Street have ruined this sentiment, but strangely I ignored my usually "better judgement" on this occasio

SAIGON THE GREATEST STORY NEVER TOLD

To many the name Brian Carenard will not mean much, but to true hip hop fans if you refer to him by his moniker SAIGON a few eye brows will begin raise. Often publicised for his out the studio activities, the new york native rapper for the past few years been bludgeoning what would seem a path to critical acclaim and notoriety. In between a few scrapes with law enforcement, other rappers and the usual disputes with label bosses Saigon has remained determined in his quest to be mentioned among the new wave of rappers emerging in the 21st century. As mentioned before no stranger to controversy, Saigon has spent time in jail, seen footage of him punching Prodigy of Mobb Deep hit the net and also managed to engineer a release from former label Atlantic whilst keep 100% of his publishing. A Busy man indeed, however in 2007 the hip hop industry was nearly robbed of future endevours for this undoubtedly talented artist when rumours on the Internet surfaced that he had QUIT... An attem